吳炫樺 (元朗校藝術總監)

吳炫樺女仕在上世紀 9 0 年代的香港版畫藝術界獨樹⼀幟， 以象徵主義的⼿法達香港今 昔，具⼈⽂⾊彩的個人風格鮮明 。 她畢業於廣州美術學術學院並並獲文學學士學位。 曾 獲 多 個 藝 術 獎項 ，包括奧林匹克藝術比賽獲平⾯作品第⼀名、 第⼆⼗⼋届世界 遺產⼤會國 際銀獎、 香港藝術發展局頒發視覺藝術發展獎助 ， 以及在第九届全國美 術作品展獲獎。曾在香港舉辦四次個⼈畫展，並出版畫集及⽯版畫原作書。⽯版藝術表達香港社會各階層的⽣活，在香港版畫藝術領域出具代表性 。

她在2 0 0 1 ⾄ 2 0 0 3 年期間更為香港鐵路有限公司的美孚車站設計壁畫。其作品被香港藝術館、香港文化博物館、香港藝術發術局，香港駐三藩市、華盛頓香港駐三藩市、華盛頓、日內瓦及布魯塞爾經濟貿易局、香港鐵路有限公司、美國航空公司，香港藝穗會，白馬寺釋源美術館，廣州美術學院，神州博物館等機構及海內外私人收藏家收藏。

吳女仕於2005年皈依暢懷法師，2005至2009年在香港大學佛學研究中心就讀漢文佛典課程，畢業後在香港法相學會學習禪修，每天習定，2013年2019以《佛經選要》淨土篇為研究主題，於佛教法相學會舉辦「淨土經論選講」系列講座。2016年在香港大會堂演奏廳講解「淨土．緣」講座。

2017年吳女士在香港大會堂展覽廳舉辦個人畫展「淨薈美術展覽 2017 一 不思議界」，以繪畫和動畫片展現莊嚴美妙的淨土和清靜修行的佛寺境界。2019年在法國 昂 熱 歷 史古堡佩尼堂館和多納迪沙⿓舉辦畫「心靈驛站—法國文化藝術之旅」， 籌辦在香港⼤會堂劇院⼀ 連九場的「淨⼟ • 緣」，集佛法、⾳樂和繪畫藝術弘法采列。

2019年，她於法國昂熱具有五百多年歷史的佩尼堂堡及多納迪沙龍舉辦佛教藝術講座、畫展及禪修活動「心靈驛站—法國文化藝術之旅」；並在香港大會堂劇院籌辦一連九場「淨土・緣」藝術弘法系列活動，融合佛法、音樂與繪畫，推動心靈藝術。

2020年策展在香港⼤會堂展覽廳舉辦【流動畫廊 • ⼼靈驛站】，以嶄新的藝術⾯貌呈現寧靜的東⽅佛教藝術之精神意境。

2021年擔任香港⼤會堂⾳樂廳【⼼靈驛站】兩場⾳樂會藝術總監。

2023年在香港⼤會堂展覽廳舉辦【無相之相 • 遊⼼苦海覓⾃在卻在燈火關珊處】 藝 術展覽及梵唄⾳樂，薈萃視覺藝術和⾳樂的⽂化饗宴。

Ms. Ng Yuen-Wah carved a distinctive niche for herself in the Hong Kong printmaking scene of the 1990s. Her work is characterized by a unique humanistic style, employing symbolism to depict Hong Kong's past and present. A graduate of the Guangzhou Academy of Fine Arts with a Bachelor of Arts degree, she has received numerous accolades, including first prize in the graphic works category of an Olympic Arts and Sport Contest 2000 and awarded, the Silver Prize of the 28th Worldwide Heritage Committee Arts Exhibition and a Fellowship for Artistic Development by The Hong Kong Arts Development Council, as well as the Prize of the Ninth Chinese Fine Arts Exhibition as well as the Prize of the Ninth Chinese Fine Arts Exhibition.She has held four solo exhibitions in Hong Kong and published collections of her paintings and original lithographs. Her lithographic art, which portrays the lives of various social strata in Hong Kong, is considered representative within the local printmaking field.

From 2001 to 2003, she was commissioned to design murals for the Mei Foo Station of the MTR Corporation Limited. Her works are held in the collections of the Hong Kong Museum of Art, the Hong Kong Heritage Museum, the Hong Kong Arts Development Council, the Hong Kong Economic and Trade Offices in San Francisco, Washington D.C., Geneva, and Brussels, the MTR Corporation Limited, American Airlines, the Hong Kong Fringe Club, the Bai Ma Shi Shi Yuan Art Museum, the Guangzhou Academy of Fine Arts, the Shenzhou Museum, as well as numerous private collectors in Hong Kong and internationally.

Ms. Ng took refuge in the Dharma under Venerable Chang Huai in 2005. From 2005 to 2009, she studied the Certificate Course in Buddhist Textual Studies at the Centre of Buddhist Studies of The University of Hong Kong. After graduation, she practiced meditation with the Hong Kong Dharmalakṣaṇa Buddhist Society, cultivating daily concentration. Between 2013 and 2019, she focused her studies on the Pure Land section of "Buddhist Sutras: Pure Land" and conducted a series of lectures titled "Selected Readings of Pure Land Sutras and Treatises" at the Buddhist Dharmalakṣaṇa Society. In 2016, she delivered a lecture on "Serendipity with Pure Land" at the Hong Kong City Hall Concert Hall.

In 2017, she held a solo exhibition, "The Pure Land Assembly Art Exhibition 2017 – The Wonderous Realm," at the Hong Kong City Hall Exhibition Hall, using paintings and animations to present the solemn, beautiful realms of the Pure Land and the serene of Buddhist monasteries for cultivation.

In 2019, she organized Buddhist art lectures, an exhibition, and meditation activities titled "Pure Land as Haven For Our Mind - A French Cultural and Artistic Journey" at the historic Château de Pignerolle near Angers, France, and at the Donadea Salon. She also curated a nine-part series, "Serendipity with Pure Land," at the Hong Kong City Hall Theatre, integrating Dharma, music, and painting to propagate the Dharma through art.

In 2020, she curated the "Moving Gallery · Serendipity with Pure Land]" exhibition at the Hong Kong City Hall Exhibition Hall, presenting the serene spiritual conception of Eastern Buddhist art through a novel artistic perspective.

In 2021, she served as the Artistic Director for two "Pure Land as Haven for our Mind “ concerts at the Hong Kong City Hall Concert Hall.

In 2023, she held the art exhibition and Buddhist chant music performance "[Formless Form · Wandering the Sea of Suffering Seeking Liberation, Only to Find it Where the Lanterns Gleam]" at the Hong Kong City Hall Exhibition Hall, a cultural feast showcasing a masterful convergence of visual art and music.

李森雕塑家 Li Shen

李森畢業於廣州美術學院雕塑系，在藝術創作過程中，多次前往山西、四川觀摩研究石窟佛像，又在意大利梵帝崗學習優秀的雕塑藝術。近年創作的佛教造像作品，將東方古典美學傳統與西方雕塑藝術造型融和，東西合璧。

2018年為淨薈創作青銅雕塑【踰城出家】，以西方創新雕塑藝術形式，結合東方古典佛像雕塑美，2023年至2025年更創作大型雕塑【娑婆三聖與淨土】五座青銅像。

Li Shen graduated from the Sculpture Department of the Guangzhou Academy of Fine Arts. During his artistic creation process, he traveled to Shanxi and Sichuan on multiple occasions to observe and study Buddhist cave statues. He also studied exceptional sculptural art at the Vatican in Italy. In recent years, his Buddhist statue creations have blended the traditions of Eastern classical aesthetics with Western sculptural artistry, resulting in a harmonious fusion of Eastern and Western artistic traditions.

In 2018, he created the bronze sculpture " The Great Renunciation " for Jinghui, combining innovative Western sculptural forms with the classical beauty of Eastern Buddhist statues. From 2023 to 2025, he further created a series of five large-scale bronze sculptures titled "The Three Saints of Saha World and the Pure Land."

何佩玲女仕 Agnes Ho

何佩玲在吳⽒藝院習畫⼆⼗多年，專於素描，由1998⾄ 2023年間在香港⼤會堂低 座 ， 香港視覺藝術中⼼。

以及法國昂熱參與多次展覽及策展，對藝術的熱愛隨著年歲⽽增加， 點點滴滴都能帶 給來她新⾓度，⼜可以從新灌注在畫作中。 每個形式⾓度，都是從⼤愛出發，這些無 價時刻都展現在她的作品中。

Ms. Agnes Ho is an artist, started with her first adventure with crayons when she was 3 years old, and her passion with drawing continues to grow. She was then inspired by her mentors in Ng's Art School at the age of 11, specializing in sketching.

Agnes has participated in varies exhibitions in Hong Kong as well as in France. Each travel gives her different inspirations with new ideas whether it is the history, landscapes, people, animals, or even a book, can stimulate her creativity to a whole new level. She wants to capture these special moments and allow them to shine through in her drawings.

黃堅 Caine Wong

黃堅 （1993 年，生於香港）是一名插畫師和畫家。過去兩年，他一直擔任兼職電視台製作助理及自由插畫師。畢業於 Idyllwild Arts Academy C.A (2012) 和紐約視覺藝術學院 (2016)，他的鋼筆畫深受阿爾布雷希特·丟勒 (Albrecht Dürer)的蝕刻版畫和美國傳統紋身作品的影響。他的作品曾在2016年於邁阿密巴塞爾藝術節溫伍德畫廊，及在2018年於香港Our Gallery展示。 是次展覽「灰 Grey is the New Black」的鋼筆插畫系列已收錄於2020年淨會呈獻的《地藏王菩薩本願經》中英法譯本。他目前正在為本地DJ Gia Fu 和格林美獎得主Angel Melendez呈獻的專輯封面創作新的鋼筆畫，該專輯將競逐格萊美獎拉丁音樂項目。

Caine Wong (b.1993, Hong Kong) is a freelance illustrator, painter and TV production assistant based in Hong Kong. Graduated from Idyllwild Arts Academy C.A in 2012 and School of Visual Arts in NYC in 2016, his pen and ink drawings are heavily influenced by Albrecht Dürers’ etching prints and traditional American tattoo compositions. His works have been exhibited at Wynwood Gallery in 2016 Miami Art Basel and Our Gallery, Hong Kong in 2018. The pen and ink illustration series presented at “Grey is the New Black” were commissioned and included as part of “The Original Vows of Ksitogarbha Bodhisattve Sutra” presented by The Pure Land Assembly in 2020. Currently, he is working on a new pen and ink drawing for an album cover presented by Gia Fu and Angel Melendez which the album will be make entries to the Grammy Awards for Latin music.

鄭咏梅 Mei Greer

鄭咏梅出生於中國文革時期，10 歲時移居香港。她說：「在香港長大讓我深刻體會到表達自由、創作自由 以及真我自在的可貴。」

20 多歲時，梅與一位夥伴共同創立了一家金屬回收公司，這夥伴後來成為她丈夫。她回憶道：「那十多年來，我走遍世界各地的廢料場，透過攝影，我捕捉那些出人意料的美麗與氣質——當他人看到的是一堆垃圾或賺錢的商機，我卻看到的是形狀、色彩、故事，以及生命片段透過重生循環中的蛻變。」

2005 年，梅退出商界，致力於建立家庭生活。經過一段漫長而堅毅的旅程，她和丈夫終於承天之恩獲得新世紀三胞胎。她全心全意傾心於母職，並稱這段時光為「我人生中最充實的一章」。

梅自稱是「業餘藝術家」，但藝術就像一條細線貫穿她生命中的每一個階段。她說：「我享受那種未知的探索之旅，讓我的雙手隨著內心的感受去表達情感、捕捉美感，並呈現我如何理解這個世界。」她的創作包繪畫、攝影、馬賽克，混合媒體與數碼藝術等 。

梅的作品曾於香港及美國多個展覽場地展出。其中最令她難忘的是在美國南阿勒格尼藝術博物館舉辦的個人攝影展，展期為三個月，共展出 50 幅以金屬廢料為主題的攝影作品。過去十年＇她積極參與她的孩子學校的藝術拍賣，帶領 30 多位小朋友一起創作出一件有意義的作品，連續多年為學校籌集資金。梅道：「我從不執著作品的完美, 真正的喜悅來自創作的過程，而那份留存在心中的點滴回憶才是最珍貴的收穫。

她的作品不僅展現出對美感的熱愛，更體現了她對「生命相承轉化」的深刻信念——透過表達與創作，並忠於自我，她讓每一次蛻變都成為延續的開始。

Mei Greer was born in China during the Cultural Revolution and raised in Hong Kong from the age of 10. Mei says, “Growing up in Hong Kong gave me a deep appreciation for freedom of expression, freedom to create, and the freedom to simply be myself.”

In her early 20s, Mei co-founded a metal recycling business with a partner who would later become her husband. She recalls, “I spent over a decade wandering through scrapyards around the world, and through my photography, I captured the unexpected beauty and character of scrap metal—where others saw junk or big business, I saw shape, color, story, and the fragments of life transformed through the cycle of renewal.”

In 2005, Mei stepped away from business to devote herself fully to family life. After a long, challenging, but determined journey, she and her husband were blessed with magical “new-age triplets”. Mei embraced motherhood completely, calling it “The most fulfilling chapter of my life!”

While Mei refers to herself as an “amateur artist,” art has been a thread through every chapter of her life. “I love the journey into the unknown—letting my hands follow my feelings to express emotion, capture beauty, and share how I process the world.” She works in painting, photography, mosaic, mixed media and digital art.

Mei has exhibited her work in various venues across Hong Kong and the U.S. One of her most memorable exhibitions was at the Southern Alleghenies Museum in the United States, where 50 of her scrap metal photographs were featured in a three-month solo show. In the past 10 years, she actively led collaborative art projects for annual school auctions, working with her children and over 30 classmates to create meaningful group pieces that successfully raised funds for their schools each year. Mei reflects, “I don’t pursue perfection. The process is the joy, and the fond memories are the true reward”

Her work reflects not only a passion for aesthetics, but also a deep belief in the continuity and transformation of life—through expression, creation, and staying true to herself. She continues to evolve.

化蓮

曾參與展覽 Exhibitions

2024 「 上壽 」 素宴畫展【 娑婆三聖與淨⼟ 】 藝術
CView — M+ Museum

2022 無相之相 - 淨薈美術展覽香港⼤會堂低座展覽館
The Signless Phenomena - Art Exhibition by The Pure Land Assembly
Exhibition Hall Low block HK City Hall

化善

化善學佛之路，沒有什麼特別及過⼈之處；退休前、⽣活營營役役，終⽇⼯作賺錢，吃渴玩樂，也沒有可提之處。退休後、有穩定的退休⾦，⽣活有保障，過着平凡⼜安靜的晚年；⼀⼼學佛。

每天早上盡能⼒做早課拜佛念佛，在⽣活上遇到任何⼈事問題，都會先回想佛陀在世時，若遇到這情況，世尊會怎麼辦？他怎樣令弟⼦信眾愉快⽣活呢？

【華嚴經】提及：⼼、佛、眾⽣，三無差別。

這也是⾃⼰的⽣活準則，若視⼀切眾⽣都是未來佛，作為佛弟⼦，⾏為也不應離佛的教法有差距；若常常保持⾃⼰的⼼念如佛般慈悲，菩提⼼⾃然顯現。

很幸運能跟隨“淨薈”吳老師習畫，並於2023年1⽉1⽇⾄11⽇「無相之相」香港⼤會堂美術展覽⾸次參展作品。

My journey with Buddhism holds no extraordinary or remarkable experiences. Before retirement, life was defined by worldly routines. Now in tranquil retirement, a stable pension allows for a wholehearted devotion to Buddhist practice. Each morning begins with rituals and chanting. When faced with life's challenges, I reflect on how the Buddha would have responded in such situations during his time.

How would the World-Honored One guide his disciples and followers to live with joy and peace?

The Avatamsaka Sutra mentions: “The mind, the Buddha, and all living beings are fundamentally non-dual.”

This principle has become my life’s guideline. By regarding all beings as future Buddhas, as a disciple of the Buddha, my action is to align one's actions with the Buddha's teachings, allowing a compassionate Bodhi mind to naturally arise.

I am grateful and thankful to have studied painting under the guidance of Teacher, Ms. Ng, and participated in the "Formless Form" art exhibition at the Hong Kong City Hall from January 1 to 11, 2023, where my work was firstly displayed.

Roy Lo

對我來說，佛學是一種生活智慧。它不是遙遠的經文，而是每天提醒我，如何面對苦樂、安頓內心。它讓我在變動中找到平靜，在複雜中保持清明。藝術也是。創作與欣賞的過程，就像是一場探索。透過作品，可以感受生命的細節、思考價值，進而豐富人生、提升精神，幫助我們更深地理解這個世界與自己。

To me, Buddhism is a form of life wisdom. It’s not a distant scripture, but a daily reminder—how to face joy and sorrow, how to find peace within. It helps me stay calm in times of change, and clear in the midst of complexity.
Art is the same. The process of creating and appreciating art feels like a journey of exploration. Through the art, we can sense the subtle details of life, reflect on values, and in doing so, enrich our lives, uplift our spirit, and deepen our understanding of both the world and ourselves.

Quin

Quin生於及長於香港，中學時期開始跟隨一名本地傑出畫家學習繪畫，從此對藝術產生熱忱。對她而言，繪畫除了是研習技藝，更是尋找和塑造自我的過程，也讓她的心靈，在這紛擾無常的現世中找到一份平靜、安然和自在，不斷為她的生命注入動力。

近年，她透過多幅以人物為主題的畫作，展現縈懷於心的情感和念想；在過程中她猶如與畫中人心神交往，牽引著一種微妙、親密的聯繫。她的作品絢麗多彩，流露出優雅迷人的光彩。

Born and raised in Hong Kong, Quin has nurtured her passion towards arts in her secondary age when she started to learn drawing from a prominent local artist. From polishing drawing skills to nourishing self-content temperament over the years, drawing has become an essential element of her life, in particular for rejuvenating herself through the search of a calm, peaceful and refreshed state of mind amid the restless living.

In recent years, Quin has focused her artworks on portrayal of human characters by capturing unique feelings and moments. What she finds more intriguing is the kind of spiritual and intimate connection attached between the characters and herself in the course of drawing. Filled with resplendent and interweaving colours, her artworks always emanate traces of glamour and delicacy.